(Vocals, 1924–90) Sarah Vaughan began her career singing in jazz bands led by Earl Hines and Billy Eckstine, but achieved her greatest fame singing ballads in more commercial settings from the late 1940s onwards. She continued to record in both jazz and popular contexts until 1967, when she took a five-year break. Her striking control and wide vocal ...
Exploding on to a generally lethargic blues scene in 1983 with his Texas Flood album, Stevie Ray Vaughan (1954–90) administered a high-voltage charge that revitalized the blues with his stunning, ecstatic playing and imagination. He took inspiration from the most stylish of his idols – Jimi Hendrix, Buddy Guy, Howlin’ Wolf, Albert King – but it ...
The premiere torch-bearer for the blues-rock boom of the 1980s, Texan guitar wizard Stevie Ray Vaughan galvanized a generation of players and fans alike with his pyrotechnic licks and flamboyant stage presence. Connecting deeply with both the psychedelic, ‘voodoo chile’ mystique of Jimi Hendrix and the down-home roadhouse grittiness of his biggest guitar influence, Albert King, Vaughan ...
1872–1958 English composer Vaughan Williams studied with Parry, Stanford and, in Berlin, with Bruch, but was slow to find his unique personal voice. This was released by his study of English folksong (which he began collecting in 1903) and of Tudor church music, and by a further period of study with Ravel in 1908. He realized ...
(Guitar, vocals, 1954–90) Born in Dallas, Vaughan distilled Albert King, Jimi Hendrix and Lonnie Mack’s blues and rock stylings on his superb US Top 40 album Texas Flood (1983). Tommy Shannon (bass) and Chris Layton (drums) formed his trusted Double Trouble back-up team. His ferocious but lyrical playing on Couldn’t Stand The Weather (1984) and live showmanship ...
Joseph Vernon Turner was born on 18 May 1911 in Kansas City, Missouri. He dropped out of school after sixth grade and worked with blind singers on the streets. The blues was in the air in Kansas City and when Turner joined in with the street singers he would make up blues lyrics. Turner was functionally illiterate and never learned ...
(Vocals, b. 1956) Dianne Reeves’s parents were musicians and her cousin, pianist George Duke, encouraged her, as did trumpeter Clark Terry. She sang in Los Angeles studio sessions in the late 1970s and 1980s, and with pop/jazz groups Caldera, Night Flight and Sergio Mendes’s troupe. Her albums blend jazz, gospel, African and Brazilian ...
California native Joe Pass (1929–94) developed a thoroughly precise jazz technique that propelled him to virtuoso status alongside pianist Oscar Peterson and vocalist Ella Fitzgerald, with whom he made a series of essential recordings for the Pablo label in the Seventies. Pass was raised in Johnstown, Pennsylvania. He took up guitar after being inspired by singing cowboy Gene Autry. ...
(Drums, b. 1925) Roy Haynes is a major jazz drummer in settings ranging from swing to jazz rock, taking in most genres of the music including free jazz. He spent three years with Charlie Parker (1949–52) and five with Sarah Vaughan (1953–58), and by the mid-1960s had also worked with Bud Powell, Miles Davis, Thelonious Monk, ...
Rhythm & blues (R&B) music evolved out of jump blues rhythms during the late-1940s, but it also had riffs and lyrics that were beginning to point more towards the emergence of rock’n’roll. Using sparser instrumentation than jump blues, R&B was based upon traditional blues chord changes played over a steady backbeat. R&B placed more emphasis on the singer ...
The 1940s encompassed a wide range of musical art, reflecting extremes of economic hardship and recovery, global war and rebuilding. Empowered by necessarily full-tilt production, US industry recovered from the Depression, though the cream of its youth was siphoned off to fight on distant fronts, and returned to a strange new world. Great Britain suffered air ...
The 1950s was a big decade for blues and jazz – arguably, the biggest. In the wake of international triumph and the stirrings of empire, the US enjoyed a boom of babies, cars, television, and urban and suburban development, that trickled down to embolden a stronger movement for civil rights for black people, inspired ...
The term ‘mode’ tends to be used in twentieth-century music to refer to a scale other than major or minor (though these can be called modes as well). The so-called ‘church modes’, given their prominence in the folk music of both Eastern and Western Europe, are frequently encountered in music that draws on those traditions (e.g. Bartók, Janáček ...
The invention of valves meant that brass instruments could now explore the bass register, and soon after 1835 bass tubas started being manufactured in Germany. Essentially a keyed bugle by descent, the bass tuba (confusingly, the name tuba comes from the Latin word for trumpet) has a very wide conical bore and as a result requires a good ...
Bugle Best known in its military guise, the bugle is one of the simplest of brass instruments in terms of construction, but it is very difficult to play. The single tube of metal has no valves to help create different notes, so players have to do all the work by changing their embouchure – a combination of the ...
AUTHORITATIVE
An extensive music information resource, bringing together the talents and expertise of a wide range of editors and musicologists, including Stanley Sadie, Charles Wilson, Paul Du Noyer, Tony Byworth, Bob Allen, Howard Mandel, Cliff Douse, William Schafer, John Wilson...
CURATED
Classical, Rock, Blues, Jazz, Country and more. Flame Tree has been making encyclopaedias and guides about music for over 20 years. Now Flame Tree Pro brings together a huge canon of carefully curated information on genres, styles, artists and instruments. It's a perfect tool for study, and entertaining too, a great companion to our music books.
David Bowie
Fantastic new, unofficial biography covers
his life, music, art and movies, with a
sweep of incredible photographs.